(Q) What exactly is Consultant Producer, how big of a role did you play, and how did you help write Bad Taste?
(A) I was hired by the Film Commission (Jim Booth, CEO) to be Consultant Producer as Peter had no professional experience. They wanted someone to look after the money they were going to put up, and co-ordinate all the facilities. It was the first time I had 'made' somebody elses film. I worked for the film, not the Commission, even though they were paying me. I was piggy in the middle but the important thing was completing the film as effectively as possible. I pulled together a lot of gear and materials from within the Wellington film industry, from places like FEC, then run by Brian Kassler. There was a lot of support that people offered for nothing, just to help cut a new path with a new talent. Not everybody approved of course, some of the film aesthetes didn't think the Filmcom should be putting money into a weekend splatter flick. Those doubters ought to be eating their words now.
The script was not finished when I came on board. So Peter and I spent time sorting out a better ending than was loosely proposed. Plus I wrote some dialogue. Nothing extraordinary.
In published articles from the period (87/88) Peter said that I contributed a lot to the film. I think I just did my job but I think I did it very well.

(Q)Were you interested in making films before starting work on Bad Taste?

(A)Yes. I had a number of projects of my own I was trying to get going.

(Q) I heard from Mike that you helped get his bands song onto the
soundtrack, how did you do that?

(A) By arranging a composer for the major sound track (Michelle Scullion) with the provision that a track be done by Mike and another by Terry. This was a
compromise as originally Peter had said they could do the entire film music
track. I felt we needed a professional with film experience, so that was the
deal. Michelle did the music, Mike did the title track, Terry did 'the boys'
heavy metal played in their car.

(Q) Did you ever think bad Taste would become popular, also, what do you
say when you think about how many people are into it?

(A) I think it's great so many people are into Bad Taste. I was into it myself,
not that I like splatter especially, more that I like renegade films, people
who break the rules and push the envelope. That's what I liked about Peter's
work and approach. I never made any forecast for the film, I just liked
doing it. It was a lot of fun. All anyone can do is their best, and that's
what everybody tried to do. The result was not a huge surprise, nice to see,
really. Very nice.

(Q) How did you land the role of the Zookeeper in Braindead?

(A) Peter asked me if I'd play it.

(Q) When you were writing the dialogue, were you just mucking around
writing jokes or did you seriously think about what they could say?

(A) Things had to be said. If an appropriate gag can help the line, fine. We
were trying to make it work, not mucking around.

(Q) I see that on Internet Movie Database you have only directed Jack Brown Genius, are you going to make any more films?

(A) I have made a lot of other films, doco's (Good Taste Made Bad Taste) etc. As far as another feature
goes, wait and see. As long as I'm alive, anything can happen.

(Q) Can you remember which 3rd Class Alien(s) you played?

(A) One shot, in the garden, wearing an Aussie
felt hat, fell over as the aliens started to revert to their 'true' selves.
I also played Coldfinger. 'This is a job for real men...'